All written content on Lizzyville, unless otherwise specified, is the copyrighted material of Elizabeth Colville, 2005-2009. If you have a problem with anything you see/hear on the site, please contact me at ecolville at gmail dot com.
Morrissey was hit with a drink container -- an eyewitness and commenter on Spinner says it was a water bottle with the lid off -- at a concert in Liverpool, prompting him to leave the stage in the middle of the second song.
"She lives by herself, with her dog, in a farmhouse in Ojai, Calif., where she tends to drink wine and will, on a whim, go to the store to buy paint for her rocks so she can construct a medicine wheel in her big backyard." [Daytrotter]
Yes, "Crown on the Ground" is the big hit (just voted Best New Track over at P4k), but this is a fun video of a September 30th performance at Le Poisson Rouge, for those who haven't yet seen Sleigh Bells live.
I mean...where to begin? This is surely Danish quintet Slaraffenland's best composition (to my knowledge) to date, and being able to watch it in the beautifully produced context of a La Blogotheque show is a good way to fall in love yourself or swoon over the song anew. I swooned over it a ton in my review of We're On Your Side.
I first heard about Montreal's Think About Life upon the release of their first album, Think About Life, in May 2006. I was reviewing it for Amp Camp. It's still up there as one of my favorite electronic pop albums. But "electronic pop" doesn't really begin to describe these guys, because they can churn out long, aching, fuzzy guitars (TAL's "Money") just as well as underdeveloped, messy keyboard thrashes and thumping, bass-driven (and more poppy) dance numbers like "Sweet Sixteen," above, from their just-released second album Family.
It's an exciting time for these guys, I think, because the chaotic and occasionally sleepy moments on their debut have been tossed out on Family, and more of the young world is ready to dance today than they were in the summer of 2006. TAL's live show, it appears from Ryan Muir's photos of their shows at Pop Montreal on Brooklyn Vegan, keeps getting stronger. Experience coupled with good timing = Think About Life's moment in the sun.
To that end, they've joined Brooklyn Vegan's CMJ showcase at the Music Hall of Williamsburg Tuesday night. They'll be playing at 7 pm (first in the lineup). This is going to be a stunning show, also featuring Fanfarlo, The Antlers and Laura Marling.
In this unwitting PSA for abstinence and sobriety, Ke$ha (really? a dollar sign?) basically tells us that she did a lot of illegal substances last night, "[woke] up in the morning feeling like P Diddy" (WHAT?), but believes the best hangover cure is to "brush [her] teeth with a bottle of Jack" and just keep on going. Forever. Until someone stages an intervention. Oh please, can I?
KEXP Seattle has a pretty awesome collection of high-quality video performances over on their YouTube channel, this being the latest addition. These guys are playing Webster Hall this Saturday with Cymbals Eat Guitars and Depreciation Guild. I'll be there! More tour dates after the jump.
Prior to their performance of the song on Late Night With Jimmy Fallon last night, Questlove alerted us to this little impromptu, acoustic version of "When The World Comes To An End," performed in the squished and heavily populated Roots dressing room. The Roots then invited the DPs to come on stage when they play the Brooklyn Bowl this Thursday. I wonder if that will happen...?
Later, Questo re-posted the video to his 945,954-and-counting followers and said the Dirty Projectors "really became a fav of mine after tonight." Swoon! To think they were once a promising little four-piece that my pal said we should check out one cold winter night in Greenpoint...
The live telly version:
UPDATE: Stereogum, who put on the Bjork-DPs Housing Works event earlier this year, points out that the song was first performed at that intimate, pricey show and was at that point called "Until The Day I Die." Explication of song's inspirational origins provided by Dave Longstreth over at the 'gum.
The best hair in rock and roll, and certainly one of the best young vocalists, has followed the lead of Bat for Lashes and covered Kings of Leon's surprisingly Billboard-dominating "Use Somebody" for a BBC session. My two favorite mainstream acts combine forces. Could this mean future KoL tour opener status for Hayley and her band?
P.S. Lia Ices is performing in the awesome Williamsburg boutique Sir next Thursday, September 10 @ 7 pm. The evening is part of Fashion's Night Out (a slew of parties to promote fashion, local businesses and charities, happening all over the place on 9/10).
And on October 20, Lia Ices is performing at Joe's Pub with First Aid Kit.
I know, it's August. But cuteness and light! Not everything Sally-related is about "snow angels and sugarplum dreams," though a lot of it is. She also leaves room for a "journeying goldfish and glacially-impeded whale," observes RCRD LBL.
I always forget that Funny Or Die exists and then I remember and...wow. Time flies by. Before I know it I've watched 8 videos and tears are streaming down my face. This one definitely produced the most tears.
Not my favorite Florence track off Lungs, but this is pretty sweet video, in which Florence is seemingly dressed as Cat Woman and dances passionately in a church, trying to get the theoretical "drumming" caused by the object of her affection out of her head.
This video is Heath Ledger's harrowingly honest critique of modern whaling practices. Marine animals and humans switch roles: a fish becomes a stubbly, pipe-smoking fisherman; a cigar-smoking whale is the captain of a ship staffed with other marine animal minions. The catch of the day are humans, and no gory details are spared. Proceeds from iTunes sales of the video go to Sea Shepherd Conservation Society for the first month.
For major-label bands, working with the press is a science. It's incredibly organized and for years has been dictated by albums and their little workhorses, singles. The calendar is pretty standard: go on tour to promote soon-to-be-released album, go on television in weeks surrounding album release. Release single, promote single. Go on tour again. Release second single, promote second single. Ad infinitum until you find yourself back in the studio. But KoL almost didn't: drummer Nathan Followill, who counts Thom Yorke among his fans, told the BBC last fall:
"Basically we got to the point where we realised that we can be known as a band that hit it hard for three records and disappeared, or be a band that was smart enough to realise that not very many bands get to make four records, so let's make the most of this."
After that, things happened a little differently, defying the press calendar. Only By The Night, their fourth studio album, came out in September. The first single, "Sex On Fire," was promoted accordingly. The album stayed on the charts for many weeks, but its position was modest, considering that in the U.K., the album sold more copies in 2008 than any other release save for Coldplay's Viva La Vida: 220,000 in its first week. "Sex On Fire" was the country's top single as well, outselling the second-place contender (Katy Perry's "I Kissed A Girl") by 50%, according to this BBC article.
Then what happened? In the winter and in the midst of more touring, the band released "Use Somebody," their second single. But in the U.K., the single started as a digital hit a few days after the album was released - in September, recall. Throughout the fall it climbed in the ranks. By December, it was #2 on the singles chart and remained there for another 13 (nonconsecutive) weeks, according to the song's Wikipedia entry.
More than half a year later, Only By The Night is listed as a "sales gainer" at #8 on the Billboard 200. It reached platinum status for the first time the week of July 22. "Use Somebody" first became a hot digital track on the U.S. chart, and is now listed as a "digital gainer" on the Billboard Hot 100; it sits at #5. The album and single's stats on the digital, genre and European charts are equally or more impressive than the Hot 100 and Billboard 200 stats.
Slow clap. The boys are on a major label, but their fans have taken control, effectively saying: "You can't tell us what to like and when." It's no surprise that the seed of this success was planted online.
This is relatively old hat but somehow has only been played 1,800 times on YouTube. It perfectly captures the feeling one gets after downing some (legitimately prescribed!) painkillers and drinking a glass of rosé.
BBC Introducing showcase at SXSW. Hints of Joanna in that harp, except Flo just sings. "The Machine" bears the instrumental brunt. The official video for "The Dog Days Are Over" is also worth a watch, but it ain't embeddable.
In the event that you haven't visited Pitchfork or several other music blogs yet today...or if you prefer my soothing black-and-white color scheme and extreme selectivity.
I love Joseph Gordon-Leavitt, and therefore will probably love his film "500 Days of Summer," on which this song is featured. The Temper Trap are from Melbourne, Australia. Good luck finding their stuff but this movie should really help them over Stateside! Meanwhile, you can stream on their MySpace page.
For all you haters who said her short haircut looked bad (I am one of them), take a look at this pic and be forced to retract your statement! She is stunning! The hair is amazing! The lipstick is perfect! If you need a good reason to continue to wear the 50 SPF sunscreen you bought last week, this is it! That Brooke Shields commercial where she reveals her skin damage is another!
St. Vincent aka Annie Clark recorded her latest album, Actor, on freaking GarageBand in a hotel in Paris. Need I say more. GarageBand rules (once you learn you can alter the master track to a setting called Slick Pop). Here's the video for the title track:
Having Canada in my genes and a few years of living there in my memory, Chantal Kreviazuk holds a special place in my list of favorite singer-songwriters. She has written songs for Gwen Stefani, Avril Lavigne, Kelly Clarkson and many others, and has released several albums of her own. She's been active for over a decade, has kids with husband Raine Maida (lead singer of fellow Canadian staple Our Lady Peace), and emphasizes in the below videos for Frequency TV that following trends in songwriting is a mistake; following trends is one thing, but "educating yourself" is quite another.